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Such findings suggest that certain sorts of contemporary valorization (MoMA exhibition) matter for later consecration – particularly when a legitimating group functions as a gatekeeper that grants publicity to sure sorts of artists while excluding others. This analysis considers the strategy of consecration by tracking all 308 artists who exhibited at the 1913 Armory Show to see that are included in outstanding art history textbooks practically a century later.
Regression results indicate that, amongst different things, the quantity and kind of exhibitions that Armory artists garnered at MoMA from 1929 to 1967 dramatically increase the chances that they’re featured in twenty first century textbooks.